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Adobe photoshop elements 9 change colour free
The Hue/Saturation command adjusts the hue (color), saturation (purity), and lightness of the entire image or of individual color components. When editing existing text layers, you can change the color of individual characters or all type in a layer. Choose a font size. The type size.
– Adobe photoshop elements 9 change colour free
It took approximately 10 seconds to carry out an analysis on our bit Windows 7 system. The Organiser also supports geotagging and can display maps showing where shots were taken if catalogued images contain location data. You can combine this with keyword tagging and geotag images without location data if you know where shots were recorded.
A new addition to the Organiser is the ability to share photos via Facebook and other online social networking services. You can also create interactive Online Albums with animated templates and, as in previous editions, attach pictures to emails for sharing or burn collections of shots including slideshows to optical disks.
This tool can be used to remove poles and wires from scenic shots or taking out tourists from a crowded scene. As in Photoshop, this tool is best used on small areas. When you use it on larger areas the results are usually hit-and-miss and somewhat unpredictable, as shown in the example below. This opens a function that is essentially the same as the Photomerge function in Photoshop, allowing you to set blending, vignette removal and geometric distortion correction.
You can combine up to 10 images with this tool and, at the end the software will ask you if you want to fill in the missing areas using the content-aware function.
The application will struggle if there are clouds in the sky and will probably produce unsatisfactory results. Consequently, you may be stuck with a curved result that is difficult to correct with the available tools although you may be able to come close with some panoramas if you rotate and crop the image then use the straightening tool. This tool is used to create resolution-dependent bitmap images that are edited with the painting or selection tools.
You can use the paint brush to add or subtract from the masked region without losing the layer pixels. One common application of layer masks is changing the colour or tone of a selected area of an image. For example, you can select an area and use a layer mask to recover a coloured subject when the rest of the image has been converted into monochrome, as shown in the illustration below.
They can also be useful for things like boosting colour saturation or contrast on selected areas in images. Another application is for copying parts of one image and pasting them into another and you can create several different layers to produce composite images in this way.
This makes layer masking a very sophisticated editing tool — and a valuable addition to Photoshop Elements. The Quick Edit workspace is largely unchanged since Elements 7. It provides the basic suite of editing sliders, which includes Smart Fix plus adjustments for Lighting, Colour, Balance and Sharpness. None of them supports the same degree of fine-tuning as you get in Photoshop but all allow you to make the most frequently-required corrections with reasonable ease.
The rest of the new additions are in the Guided editing workspace, which is designed for novice users and provides step-by-step instructions for achieving specified end results.
Serious photographers should probably avoid this area as it provides few genuinely useful adjustments and some functions particularly Recompose are frustrating to use.
The Recompose workspace. We were unable to obtain satisfactory results with this or several other images we tried to work on with this function. Even novice users should avoid the Photomerge settings if they wish to stitch images into a panorama. The process is much more complex and frustrating than the Photomerge function in the Full Edit workspace — and most end results leave a lot to be desired in comparison. Attempting to stitch a panorama with the Photomerge settings in the Guided editing workspace.
Fortunately, the Exposure setting in the Photomerge group does quite a good job when combining images shot with different exposure levels HDR exposures and a useful tool is provided to help you superimpose the shots correctly. This tool is worth exploring as it includes sliders for adjusting the intensity and clarity of the effect plus brushes for selectively erasing and applying the selected style.
Since most of the styles provided tend to posterise images, these tools can be handy for local control over where the effects are applied and the strength of the adjustments. However, enough selective adjustments are provided to make this tool worth exploring.
The image on the left is before adjustments; on the right shows the results of several selective adjustments. Before and after images showing the Lomo Camera Effect.
The Pop Art setting lets you posterise shots and add colour fill adjustments. You can then create a duplicate image showing four different colour effects. The Pop Art effect. The most potentially useful tool in this sub-menu is the Reflections tool, which lets you add a reflection to a subject. You can choose between Floor, Glass and Water reflections and adjust the intensity or add distortion to produce the result you want.
A Gradient tool allows you to apply a varying intensity to the reflection from the lowest point to the base of the original image. Calibrate and profile your computer monitor. If you use an LCD monitor, use the profile that came with your monitor. See your LCD monitor documentation for instructions. When you print an image from Photoshop Elements, make sure that the correct color profile is specified in the Color Management area of the More Options dialog box.
No Color Management. Leaves your image untagged. This option uses your monitor profile as the working space.
It removes any embedded profiles when opening images, and does not tag when saving. This option preserves embedded profiles, and assigns sRGB when opening untagged files. Always Optimize For Printing. This option preserves embedded profiles and assigns Adobe RGB when opening untagged files. Allow Me To Choose. Photoshop Elements automatically assigns the color profile based on the setting you select in the Color Settings dialog box.
However, one reason to manually change a color profile is when preparing a document for a different output destination. The other time to change a color profile is for correcting a policy behavior that you no longer want implemented in the document.
Changing the color profile is recommended for advanced users only. Remove Profile. Legal Notices Online Privacy Policy. User Guide Cancel. About color management. Profiling devices. Color management tasks. If you want to use color management, you need to perform the following tasks:. Set up color management. Select one of the following color management options, then click OK.
Convert color profile. Removes the profile so that the document is no longer color-managed. Embeds an sRGB profile in the document.
Edit text in Photoshop Elements
To select a new foreground color from an image, click the desired color in your image. To select a color that appears elsewhere on your computer screen, click inside your image and drag away from it. You can temporarily switch to the Eyedropper tool while using most painting tools, which allows you to change colors quickly without selecting another tool. To change the foreground color, click the topmost color box in the toolbox, and then choose a color from the Color Picker.
To change the background color, click the bottom color box in the toolbox, and then choose a color from the Color Picker.
You can select a foreground or background color by clicking a color swatch in the Color Swatches panel. You can add or delete colors to create a custom swatch library, save a library of swatches, and reload them for use in another image. You can change the way thumbnails are displayed in the Color Swatches panel by choosing an option from the More menu. Although you can add many colors to the Color Swatches panel, you should manage its size and organization to improve performance.
Creating libraries can help you group related or special swatches and manage panel size. Saved swatches are added to the library of colors in the panel. To permanently save your custom swatches, you must save the entire library. Click the New Swatch button at the bottom of the panel. The color swatch is added and automatically named Color Swatch 1.
Position the pointer over an empty space in the bottom row of the Color Swatches panel the pointer turns into the Paint Bucket tool , and click to add the color. To save a library of swatches, choose Save Swatches from the More menu. You can use the Adobe Color Picker to select the foreground or background color by choosing from a color spectrum or by defining colors numerically.
Adjusted color B. Original color C. HSB color values D. Color Correction Photoshop Action 16 “Greener”. Color Action Photoshop 18 “Sea”.
Photoshop Color Correction Action 19 “Light”. Photoshop Action Color 20 “Classic”. Color Grading Photoshop Actions 21 “Cool”. Photoshop Actions Color Pop 24 “Contrast”. Free Photoshop Color Actions 26 “Cacao”. Color Actions for Photoshop 27 “Cold”.
Photoshop Color Correction Actions 28 “Forest”. Photoshop Actions Color 29 “Rose”. Color Photoshop Actions 30 “Warm”. Double Exposure Actions. Photoshop Color Actions 33 “Comic Book”. Doing this shows the selected one in the display window. Then click the first color in the image to replace. Then click back into the image to adjust the color, if needed. Choose Master to adjust all colors at once.
Choose one of the other preset color ranges listed for the color you want to adjust. An adjustment slider appears between the color bars, which you can use to edit any range of hues. For Hue, enter a value or drag the slider until the colors appear as you want. Click OK. Choose an individual color from the Edit menu. Do any of the following to the adjustment slider:. Drag one of the triangles to adjust the amount of color fall-off without affecting the range.
Drag one of the gray bars to adjust the range without affecting the amount of color fall-off. Drag the gray center part to move the entire adjustment slider, selecting a different color area. Drag one of the vertical white bars next to the dark gray center part to adjust the range of the color component. Increasing the range decreases the color fall-off, and vice versa. To move the color bar and the adjustment slider bar together, Ctrl-drag Command-drag in Mac OS the color bar.
If you modify the adjustment slider so that it falls into a different color range, the name changes to reflect this. For example, if you choose Yellow and alter its range so that it falls in the red part of the color bar, the name changes to Red 2. You can convert up to six of the individual color ranges to varieties of the same color range for example, Red 1 through Red 6.
Adjust the color of skin tone. Open the photo and select the layer that needs correction. Click an area of skin. Photoshop Elements automatically adjusts the colors in the image. Changes might be subtle. Make sure Preview is selected so that you can see the color changes as they occur.
Optional Drag any of the following sliders to fine-tune the correction:. Increases or decreases the level of brown in skin tones.
Increases or decreases the level of red in skin tones. Changes the overall color of skin tones. Or, to cancel your changes and start over, click Reset. Adjust saturation in isolated areas. The Sponge tool changes the color saturation of an area.